Yet again, I leave it embarrassingly late to do my Edinburgh Fringe roundup. My sort-of excuse is that I had a very busy June, July and August for unrelated reasons, so I’ve spent most of September hibernating. But no more excuses, I’d better get a move on. Once new feature I’m introducing this year is that I’ll be comparing my review to all the professional reviews, see how it compares, and give my comments on any interesting discrepancies. As a result of that, it’s going to be a long piece, so I’m going to do it in instalments. Come back here and you’ll see the article grow.
So, it’s been another good fringe at Edinburgh. This is probably due in large part to me getting to know better who the good acts are, but there was a decent number of gems from people I’d never heard of. As a result, I’m going to repeat what I did last year and have a very top category of “Outstanding Fringe performance” to separate the best of the best from the rest of the excellence.
And a new feature this year is that I will be looking at the reviews of other people. I try to avoid looking at other reviews before I write mine, because I want to avoid my verdict being prejudiced, but afterwards it’s interesting to see what other people think. Usually my verdict is in line with the other reviews, but there are few notable and interesting exceptions. I will talk about that as I come to them.