REVIEWS: Skip to Doktor James’s Akademy of Evil, Catching the Ghost, BADD, Blink, The Ruby in the Smoke, Decide-a-Quest, Shit-faced Showtime, Blooming, Between You and Me, I Am Beast, And Then Love Walked In, Gratiano
Wednesday 7th June: And that’s it from this year’s Brighton Fringe coverage. I had been holding out for news of the ticket sales, but it’s getting on a bit now. If I hear news in the next few days, I might post an update.
I can. however, leave you with news of the registration figures for Edinburgh. It’s up from 3,269 last year to 3398 this year. This is 3.9% growth, although part of this offsets the slight shrinkage last year. To look at it another way, if you measure fringe size by number of registrations, Brighton is up from 27.5% the size of Edinburgh last year to 28.5% this year. Brighton closes the gap a little further, but nothing as dramatic as last year.
So now it’s time to sign off. Roundup soon, I hope. Thank you to everyone who stuck with me through this and everyone who put on plays for me. Time to get ready for Buxton now. Then the big one. Cheerio.
Tuesday 6th June: We now have a list of winners of Brighton Fringe awards, whcih I can’t actually say that much about because all the awards went to plays I haven’t seen, so I can’t really comment. However, I do at least avoid seeing a play I hated on that list. There are some small mercies.
However, there is one award that’s notable specifically because I’ve never heard of it. Best venue went to Junkyard Dogs, a venue I’d never heard of, but nonetheless had a decent line-up this year, mostly comedians. Along with Lam Comedy getting best venue last year, it does suggest that, for comedy at least, the small venues are putting up decent competition against the big ones. This is a notable contrast to the Edinburgh fringe, where everybody who’s anybody in comedy goes to one of the big four supervenues.
The only other comment I have is that there is one award whose position in this cermony I’d say is questionable. The Brighton Argus has always awarded a Argus Archangel for their top show of the fringe (with the next tier of awards being the Argus Angels), which has been all well and good so far. This year, the winner was Urinetown – no complaints about who’s won, I’ve never seen this musical but I’ve only ever heard good things about it – but how many Brighton Fringe plays did the Argus review? Two. Okay, it’s possible they reviewed more fringe shows that only went in their print edition, in which case I’ll take that back, but online at least, their reviews are vastly dominated by the Festival. Sure, local papers are generally having a tough time at the moment and perhaps fringe reviews aren’t as economical as they used to be, but two? I do hope they can do more next year, but if not, I’d ask series questions about their place in the awards ceremony.
But you don’t want to know about those silly awards, do you? You want to know what’s going to be my pick of the fringe. Well, I have decided, but before I do this, this is been an unusual year because a lot of what I saw wasn’t really theatre. Some was factual, some was entertainment, so was fun, but I decided in the end that they were too different to meaningfully compare to more conventional plays. I will still write about these in the roundup, but in their own section. Those pieces are Blooming, Shit-Faced Showtime, Decide-a-Quest, Catching the Ghost and Docktor James’s Akademy of Evil.
(Also missing are two plays which were too abysmal to review. As always, bribes accepted.)
So here they are:
Pick of the Fringe
And Then Love Walked In
I Am Beast
Between You and Me
The Ruby in the Smoke
A reminder that these entries are listed in chronological order, so don’t read anything into what’s top or bottom. So congratulations to all those on the list. Final verdicts will be coming in the roundup, whenever that may be. Hopefully not too long. Continue reading “Brighton Fringe 2017 – as it happens”