After the unpredictable fringe of 2017, when two key performance spaces were lost to a building development but a new pop-up venue came along, 2018 looked a lot more like a “no change” fringe. Underground Venues was still in its new home of the new clubhouse, Rotunda returned to the Pavilion Gardens, and the Green Man Gallery and United Reformed Church also carried out quite much as before. And the numbers for the fringe, and each of the venues, also held generally steady.
However, the steady figures are a little deceptive, because there’s been quite a bit of change within these figures. The most notable change was the Rotunda: last year, the programme was dominated by seven shows produced by Grist to the Mill; this year, with application to the Rotunda open much earlier, they had a considerably more diverse programme. Also – and there must a been a few sighs of relief – the Rotunda avoided a repeat of the spate of cancellations that marred an otherwise successful inaugural year. Meanwhile, if my unscientific assessment of their programme is correct, Underground Venues had a wider range of entry-level acts this year, possibly as a result of some fringe-wide rebalancing between the two big venues. They also seemed to have fixed last year’s problem of the fringe club bar never being open, with a drinks for tickets promotion seeming to have worked well. (Also, the Arts Centre has now managed to get the bar opened rather than have people queuing on the street.)
On the whole, however, 2018 has broadly consolidated the changes of 2017, with the unexpected rise in 2017 now looking to be permanent rather than an outlying year. But Buxton may not be settling down just yet – the last I heard, Underground Venues is still seeking another space to compensate for the net loss of one last year, and that could potentially increase the numbers further. Meanwhile, there’s talk of the Green Man Gallery taking on paid staff – at the moment, capacity there is seemingly constrained by volunteer time rather than availability of rooms, but if you’re paying someone who effectively becomes a full-time venue manager in July and and anything is possible. Continue reading