Content warning: contains commentary to depictions of disability that some people may find offensive (duh)
6.00 p.m.: And thank you to everyone follow me except the Sia superfan on Twitter who’s been stalking me, straw-manned me at least twice, and paid no regard to the fact I might know something about this subject.
So, here’s the low-down of what I’ve learned:
- Sia’s film isn’t quite as bad as I expected, but only because my expectations were rock bottom after her fucking awful trailer.
- The obvious problem which everybody is rightly calling out is the excessive amount of “cripping up” done to depict a character. I don’t agree that you shouldn’t be allowed to produced something that some people find offensive (if you did no-one could produce anything), but it is good practice to avoid causing offence if it’s not necessary. Sia failed miserably there.
- The less obvious problem is that the character of Music is relentlessly portrayed as incapable of everything and anything. And yes, there are some people whose conditions are that bad. But Sia said the point of the film was to show autism is a gift. What gift? She might have intended to depict that, but I didn’t pick that up and I don’t see how anyone else could.
- The other thing that might have saved the film was getting to know Music beyond the disability. But that didn’t happen. The character was barely developed in the second half of the film at all, and that was the biggest missed opportunity to redeem the film.
- One thing that counts in the film’s favour is Kate Hudson’s portrayal as Zu. If you cut Music out of the film completely – and let’s face it, that depiction isn’t going to be missed by anyone – we could probably have had an okay film about an ex-alcoholic struggling with rehabilitation.
- To be honest, however, I think the root problem is that Sia is completely out of her depth. You really need to know what you’re doing to pull off something this outlandish, and this is more like a Tom Hooper take on Cats than a David Lynch take on a detective series. Sia may well have intended to put positive features of Music’s character into the script, but that just doesn’t come across at all.
- The worst problem, however, are the people rallying around her. The film comes uncomfortably close to saying all autistic people are incapable of anything and they’re a burden on society and all carers are martyrs – but the more her fans double down on defending the film, the closer they get to the ideology of Autism Speaks, even though they say they have nothing to do with it. I’m pretty easy going, but for once, this worries me.
So I’m signing off. Thank again for joining me on this marathon. Let me know if you want to buy the film. I paid £8. I’ll burn it on to DVD. And then snap it in half.