Theatre blog fans will remember that that when my list of theatre thing to cover suddenly dried up owing to this Thing In The News you might have heard about, I’d take the opportunity to catch up on something I’d been meaning to do for some time: backdate my Ike Awards to the start of my blog. The Ike Awards, I may remind you, are my equivalent to a 5-star review for a review publication that doesn’t use star ratings. I’d originally planned to go all the way up to the present, but I then discovered I liked the retrospective element: commenting on the plays I loved the most once more, years after I’d seen it. Sometime, it was interesting to see what happened next; sometimes, it was just fun to recall how good it was.
So I decided to leave a four,year gap, with the 2017 retrospective to come in 2021, long after the aforementioned Thing In The News is over. Spoiler: it’s still going on (sad-trombone.wav). But not to be daunted, let’s have a look at the year. A shorter list than usual, but also one of the most disparate.
Sometimes I have predicted artists starting out will go on to great things and gone on to the proven right, but sometimes I proven wrong by the people I underrated Although Paddy Campbell’s debut, Wet House, was a big success, I wasn’t that enthused with what I felt was a lack of plot. What I underestimated, however, is just how good he was at the thing he does best, which is writing about what he knows. All of his plays were based on his experiences of working in social care, and this grew stronger, but it was piece of verbatim theatre that topped it all.Continue reading