Skip to: Dirty Laundry, In Plain Sight, Nonsense and Sensibility, and Jesus Christ Superstar
Ho hum, my last online theatre roundup was supposed to be my only article about online theatre. I was intending to get back to proper theatre by now. But with the lurgi refusing to make an exist without being as big of a pain in the arse as possible on its exit, I’m still on this.
A small list this time, and I’ve already caught up with most of the things I wanted to catch up on, but I have four things for you before we get back to normal service.
This one, I confess, should have been reviewed last time round, but I forgot. Better late than never, I hope.
Two years ago, Conrad Nelson and Deborah McAndrew pulled one of theatre’s bigger surprises.* They had risen through the ranks of Northern Broadsides to produce their own plays in their own style to huge acclaim, and when long-standing Artistic Director Barrie Rutter left, Conrad Nelson became his interim replacement. I assumed he had the permanent post in the bag, but not only did he step down, he and his wife decided it was time for a change and left the company completely. Instead, they decided to put all their energy into what started off as their side-project: Claybody Theatre. Unlike the Broadsiders, this was a very local company producing plays of interest to Stoke-on-Trent. As a result, they have very much dropped out of the national spotlight. But not my spotlight, because I happen to have a sister who lives there.
*: At least surprising by pre-2020 standards of surprise.
With one of their first Claybody plays, Dirty Laundry, now made available as an audio play, I took the chance to see what they were up to. And if you’re a fan of their Broadsides work, the first thing than strikes you is what a different direction they’re going in; the second thing that may strike you is how much more specialist the appeal is. The target audience here is Stokies through and through, and more specifically, Stokies who know about the Six Towns’ long history with pottery. I’ve only recently learnt about it myself – and it’s fair to say that if you know nothing about Stoke or Pottery this story may not grab your attention – but I have learnt enough to appreciate how well McAndrew has done her homework here.Continue reading