Skip to: The Ballad of Mulan, The Formidable Lizzie Boone, The Little Prince, Under Milk Wood, Portents, Jekyll and Hyde: a one-woman show, [BLANK], War of the Worlds, Report: an enquiry into the enquiries, Adventures in Sound and Light, Nychtophilia
If 2021 was the big party for festival fringes getting back on the road, 2022 is the big hangover. Just when Brighton Fringe looked like it was set to get back to full size, its biggest venue imploded with a knock-on effect for the whole fringe. Edinburgh Fringe is making progress back to normal, but is currently facing headaches over working conditions and accommodation expenses. Which means the prize for first fringe back to full size goes to Buxton. With 169 entries going into the programme, and a typical size of 170-180 for most of the last decade, it is generally regarded as back to normal and back to business.
However, when you look a bit closer at the numbers, there are some notable shifts within these figures. The most prominent change – which might not be obvious now but certainly will be noticed in weeks 1 and 2 – is that the Rotunda is only going to be present for the second half of the fringe. Not because the Rotunda is struggling; on the contrary, they’re having an excellent 2022, taking on a second dome, emerging as the big winners of Brighton Fringe, and earning fixtures at other festivals. Unfortunately, this has not entirely worked in Buxton’s favour, because one of those festivals in Wells Theatre Festival, which clashes with the first half of Buxton Fringe. The other change – more subtle but just as important – is that there is hardly any availability of the Arts Centre Studio this year. I don’t know the story here, but it’s most likely the Buxton Festival wants it – and, let’s face it, a 352-seater event from Buxton Festival is always going to win over the 91-seater studio configuration used by Buxton Fringe.Continue reading