REVIEWS: Skip to: Bin and Gone, Metamorphosis, Apparatus, The Owl and the Pussycat, Antigone Alone, Tom and Bunny Save the World, Always, With a Love That’s True, Beasts, The Erebus Project, Larkin Descending, Wan In, Wan Oot, Brighton Queen of Slaughtering Places, One-Woman Alien
Last year, I had the dubious honour of not getting round to finishing my Brighton Fringe coverage until after the Edinburgh Fringe. That was a little embarrassing, and I don’t want to repeat that in a hurry.
So, Brighton Fringe 2018 has come and gone. Some years I write a lengthy introduction before getting on to reviews – in 2016, for example, the unprecedented growth that year transformed the face of the fringe. This fits into a wider growth of the fringe over the last decade, and I wrote a list of 10 ways the Brighton Fringe has changed for anyone who wants to read this further. This year, however has very much been a “no change” festival. The numbers are about the same as 2017, all the major venues are broadly carrying on doing what they’re doing, and the only notable different is that Sweet Venues ditched Sweet Waterfront and replaced it with Sweet Werks and Sweet @ The Welly. There are some early signs ticket sales may be up, but this is unconfirmed at the time of writing.