Crongton Knights: nice but niche

Pilot Theatre’s latest adaptation of a young adult book is has a narrower appeal than their usual productions, but it deserves to finish the job with the audience this play is aimed at.

The final play on my pre-lurgi catch-up list is a Pilot Theatre production. Pilot Theatre have earned my respect over successive productions for many reasons, but the biggest stand-out is the staging. It varies from play to play, but whatever they do always impresses in a way they’ve never impressed before. The subject material varies as well; last year’s Noughts and Crosses was packaged as an ordinary story of forbidden love but was in fact set an alternate world where Jim Crow laws exist in reverse. Crongton Knights, it turns out, is almost the opposite, packaged as a story of adventure and friendship akin to The Magnificent Seven (with the friends here self-styled as “The Magnificent Six”), but with the setting being a gritty housing estate in South London.

Adapted from the second of Alex Wheatle’s young adult books, five young friends embark on a mission to confront the ex-boyfriend of one of the gang to demand the return of some compromising photos. In an unfortunate twist of timing, this is the day the London riots are destined to break out, but this doesn’t actually feature much in the story. This is because although they live in the notoriously rough South Crong, they must journey to Notre Dame estate,and a typical night there makes the London Riots look like a picnic in the park. Can they make it with nothing but friendship and loyalty on their side.

Crongton Knights is a heavily character-driven story. One of the strongest themes is Bushkid. You see, this is the origin story of the Magnificent Six. Whilst the rest of the gang come from families struggling on the breadline, she lives comfortably with wealthy parents – but what she want more than anything is to fit in with friends. One character I would liked to have known more about was Saira. She is a Syrian refugee whose father is still missing, and one suspects she’s witnessed far worse horrors than anything a sink estate can muster. It would have been interesting to see how she’d react in a situation she’s desensitised to, but that doesn’t really feature in this story. Maybe the next book.

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