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Paul Robinson’s new writing debut for the Stephen Joseph Theatre is an interesting insight into to misunderstood world of subcultures. That is where Goth Weekend was at its strongest.
Ever since Chris Monks unexpectedly announced his departure from a theatre in Scarborough with a very famous predecessor, one of the big questions was where the Stephen Joseph Theatre would go next. Paul Robinson’s appointment was announced in early 2016, with a strong indication that the theatre wanted to go in the direction of new writing, but such is the long timescale of planning theatre programmes that it wasn’t until late 2017 that we had our first real indication of what kind of new writing we can expect. Goth Weekend isn’t Paul Robinson’s first play directed at the SJT, but it is the first next play, so all eyes were on this.
There were two things notable about this choice of play. Firstly, it’s a co-production between the SJT and Live Theatre. This might seem a tall order, with these two theatres’ audiences having very different tastes, but the crossover has worked before, and brings a unique touch to both theatres. Secondly, it shares in common with And Then Come the Nightjars, Paul Robinson’s last touring production in his previous job at Theatre 503, a setting of a world described in detail. Then it Bea Robert’s story of a farm during and after the foot and mouth outbreak – now it’s Ali Taylor’s play the world of Goth subculture. Continue reading