Continuing the catch-up of what’s been showing since fringe season, September got started with two concurrently-running fortnight-long plays. One was a relatively safe mainstream play in a theatre often used for new and experimental work, and the other was a very experimental piece in a theatre best known for safer bets. So let’s get to it and see what was on offer.
So, starting with Alphabetti Theatre, this play took the highly prestigious slot of the opening piece for the brand-new venue. With this standing to set expectations for a lot of Alphabetti first-timers, a lot of responsibility was entrusted to co-producers Coracle Arts. But it was a good bet to take, because Arabella Arnott’s play had a very promising opening at the Gala’s scratch night, due in part to Rosie Stancliffe in the lead role of Beth. She has shone in every role I’ve seen her in, and even if the play itself doesn’t work out, she’s always added to it. Continue reading