Taking on the subject of domestic coercion, Rattlesnake says something new from an unexpected direction.
It’s been ages since I last saw them, but it’s about time I acknowledged the success of Open Clasp Theatre Company, one of the leading theatre companies writing stories by women about women. That scores no bonus points here though – my sole interest is whether their stories are any good, where there’s good reasons to think so. I never managed to catch the smash hit Key Change, but I did see The Space Between Us four years ago, and whilst some bits of the story didn’t make sense, the thing that really impressed me was the characterisation: four outsiders (three immigrants and one traveller) depicted incredibly convincingly based on painstaking work interviewing real women. Now, in a co-production with Live Theatre, they take on the subject of domestic abuse, but not domestic violence, as is portrayed so often, but coercive control.
The distinction between violence and control is important. It is only recently that society has started wising up to the psychological element of domestic abuse. It’s easy to say “Why don’t you just leave your partner?”, and yes, for anyone in a sound state of mind that’s an easy thing to say, but that’s precisely the tactic of the abusers: to use fear, humiliation or any other tactics to make the victim see staying as the less bad option. Even if staying means putting up with more violence. But here, there’s no violence, just the mind games, and that can also be devastating. The law started to catch up in 2015 when coercive control was made a crime. Continue reading “Rattlesnake: the enemy within”