Righty-ho. This is something I’ve been working on and off for about two months, and I’ve kept having to defer this as more urgent news, reviews and previews took precedence. As you will see, it’s taken quite a bit of work going back finding primary sources, scrutinising them, and then writing about what I found. But here it is at last: a follow-up to “On the Ladybird vs Elia spat” that I wrote back in January, concerning the needless row between an independent author and Penguin Random House over a parody of the Ladybird books, and subsequent arguments over who stole whose idea. At the time, I tried to avoid coming off the fence too strongly, because I wanted to make to point that it’s good to build on each other’s ideas, and – oddly enough – I tried to suggest it was time to put the dispute behind them. But here’s where it ends. This is where I take sides and lay into Penguin.
The reason I’m compelled to take sides is the attitude from a small but vocal number of people taking the line that Penguin is entirely blameless and it’s completely Miriam Elia’s fault. What’s more, the comments were a mixture of rude, aggressive, patronising, and – I suspect – attempts to intimidate people like me into deleting anything that might make Penguin look bad. So I had to go back and double-check the web pages where I got originally got my information from. And from there, I checked the primary sources cited. I thought I might come to some middle-of-the-road conclusion – perhaps Penguin merely mishandled things and allowed a misunderstanding to get out of hand, but I guessed wrongly. The evidence I’ve found overwhelmingly backs what Elia and others have been saying all along, and the claims made for Penguin stand up very poorly.
One important thing to say first is that this post does not cover every single point made in defence of Penguin – I could say more about this, but I want to concentrate on the big whoppers. Even so, this is going to be a long one, because sweeping statements are short and easy to make, and long and laborious to debunk. But read this you should, because this is quite possibly a large corporation abusing its position to try to silence artists they don’t like with legal threats they aren’t entitled to make. And that is something everyone in the arts world should worry about. Continue reading