I’m going to review this play a little differently to most of my reviews. Northern Stage’s War of the Worlds already has enough glowing reviews on the pile, and besides, the two-week sold out run says more than any review ever will. What interests me is that this was part of Northern Stage’s NORTH scheme. If you’ve not heard of this, you can safely ignore most of this review and enjoy the play for what it is, but if you want ot read on, this needs a bit of explaining. NORTH has been running since 2013, and each year they take on a group on aspiring actors and give them, amongst other things, a public production. They generally go to form their own groups afterwards, the most successful one being the inaugural year which is now the hugely-respected Letter Room.
The scheme has varied from year to year though, not least in what kind of production they do. Usually the NORTH members devise their own play, but in 2015 the intake instead played the ensemble roles in mainstream production Cyrano de Bergerac – and not everyone was happy about that. A complaint I’ve heard off the record (not from anyone in NORTH 2015, I should add) is that by getting this instead of a devised production, they never get a chance to show their own creativity. A secondary complaint was that they got caught up in a concept that didn’t work, but lack of their own production was the main thing. So now, fast forward to 2018, and once again, a NORTH ensemble take the stage in someone else’s production. This time they play the leads in a Stage 3 production rather than ensemble on the main stage, but once again, the success of a production is in someone else’s hands.
Luckily for them, that someone is Laura Lindow, who has penned a series of successful productions, the most recent one being the November Club’s Beyond the End of the Road. Together with director Elayce Ismail, it turns out, they couldn’t have wished for safer hands to be in. Continue reading