How do you solve a problem like class?

COMMENT: There probably is an attitude that theatre is for the middle class and not the working class – but the root problem is a society that thinks in classes in the first place.

Devoated and Disgruntled logoLast month I attended the Empty Space’s “Devoted and Disgruntled North East 3“. I don’t have time to explain exactly how this event works, but it’s a kind of networking event based on the idea that the most useful bits of conferences were not the structured sessions, but the coffee breaks in between where people get to talk to each other in groups of mutual interest. Anyway, there were a number of interesting topics discussed, but perhaps the most interesting talk was about the so-called “class divide” in theatre, brought up by Joe Caffrey (as recently seen in Wet House and¬†Cooking With Elvis).¬†There are two different issues relating the class divide. One is the apparent class divide from participation in theatre, and the other is a class divide in people coming to see it. They are both important subjects – and in the case of participation, although I think it’s more to do with connections than class, I heard of a lot of dodgy practices going on – but this discussion was very much on the latter.

Now, before I go on, I should clarify when I say “working-class” or “middle-class” in this article, I am referring to people who self-define as one or the other. I personally think this obsession with class is bollocks. It’s an outdated concept based on a long-dead system where a land-owning “upper class” had all the power. Nowadays, hardly anyone calls themselves upper-class, with middle-class and working-class being split roughly 50:50. And that’s not really a middle, is it? And with few people being born into a career nowadays, what makes you middle-class anyway? Because your parents are middle-class? Because your income or savings is over a set amount? Because you shop at Marks and Spencers? I’m struggling to find a sensible definition. But, like it or not, people define themselves as one or the other, and many people defining themselves as working class are flatly ruling out going to the theatre because it’s not for people like them. People actually says things to this effect. However stupid you might consider it, it’s a problem we can’t ignore.

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