Tag Archives: Katie Doherty

Beyond not just the end of the road

Production shot of dance scene

In a region that rarely looks beyond Newcastle for culture, The November Club gave a shining example of what happens when you do with Beyond the End of the Road.

It’s my eternal bugbear: the mindset ingrained over much of the region’s cultural scene that the north east is Newcastle. For all the talk about cultural engagement, for years in Tees Valley and County Durham this amounted to importing all the talent from Tyne and Wear. Usually writers based in Newcastle telling stories based in Newcastle. On the rare occasions the plays were set in places beyond Tyneside, the depictions were generic north-east suburbs with only the basic nods to the local area – there was a time at the Gala where it was virtually guaranteed you’d have a reference to getting cut off by the tide at Holy Island. In recent years, things have started edging in the right direction, but still the most depressing thing is the numberpeople in the north-east who complain, quite rightly, about nationwide funding and attention favouring London at the expense of the rest of the country. It’s depressing because the same people seem fully aware that exactly the same thing is happening between Newcastle and the north-east – and don’t appear to have a problem with it.

But amongst the Arts Council’s National Portfolio Organisations in the region, there is one group that won’t settle for bringing in everything from Newcastle, and that’s Northumberland-based The November Club. Beyond the End of the Road is set in rural Northumberland in a town known as “place”. Far from treating this village as another Tyneside suburb, this place is distinct from the distant city not only by the surrounding countryside but by its isolation. A bypassing is being built around the place (yes, this play on words is a common theme here), and in charge is a someone apparently part workman, part narrator and part oracle, seeming to everyone’s backstories. Coming to the place are two outsiders, one seeking refuge from an unhappy marriage with a sister she barely knows, another come to give his brother advice on how to run his farm, unsolicited but very badly needed. Continue reading

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