Sometimes touching, sometimes brutal, The Season Ticket is a great four-way collaboration portraying lives on the fringe of society.
Could you assemble a better team? Lee Mattinson has already shown how skilled his writing is with Donna Disco and Chalet Lines. Pilot Theatre wowed us with one of the best staged plays ever with The Loneliness of the Long-Distance Runner. Northern Stage, of course, as an excellent track record of mainstream productions. And Purely Belter, the film adaptation already made of the book this is based on, is a cult classic in Newcastle. And yet seemingly surefire collaborations don’t always work out. Such high expectation can set up such bitter disappointments. But not here. The Season Ticket is every bit as good as I hoped it would be, and more.
Gary and Sewell are two young lads at the very bottom of the pile. Gary has a sister who is desperate to get her A-levels so that – it is quietly understated – she can get out and move on to a better life – Gary has given up on going to school, and best friend Sewell has seemingly given up in general ever since his father died. The two of them begin in the middle of an inept petty crime, looking for suitable luxury household appliances to burgle from their headmaster’s house. Perhaps, it’s suggested early on, it’s got something to do with Gary having a half-inattentive alcoholic mother. But it emerges that she, too, has her own reasons to give up, once it emerges what sort of person Gary’s father was and what he did to them. Continue reading