A play from a company the brings Asian stories to mainstream theatre, but a play that is universal, Approaching Empty is an excellent story of a road to hell that’s paved with good intentions.
Tamasha Theatre might not be a name recognised my many, but their most famous production, East is East, certainly is. That play is credited by many for bringing theatre about South Asian communities out of the niche and into the mainstream. Since then, Tamasha have been keeping busy with lots of plays, and now the latest collaboration is with Live Theatre and Kiln theatre with a north-east connection. Playwright Ishy Din originates from Middlesbrough and Approaching Empty is heavily inspired by his time as a taxi driver. There is a big difference though: East is East was about a culture clash where conservative values of Pakistan clashed with the more liberal values on 1970s Salford; but Approaching Empty is a more universal story. The six characters in this story are all Asian, but that’s not what defines them. No, the defining feature here is the struggle of a post-industrial generation. Apart from a few incidental details, this could be a story from any working-class community.
There’s been a lot of talk over how diverse Live Theatre’s programme is this year. Normally I just go ahead and review plays without commenting on how diverse it is. It is of course an important issue, but this distracts from what’s surely the more important issue, namely how good the play is. But I will make an exception to state that on this blog, diversity scores no bonus points in reviews. All plays stand or fall on their merits as a play. I do not want anyone thinking I only gave a good review to a play for ticking the right boxes. And I especially want to make this clear here, because Approaching Empty is the best thing I’ve seen at Live Theatre for years.