Sherlock Holmes: Nick Lane is afoot

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Sherlock Holmes is tougher going than your average Blackeyed production to follow, but Nick Lane once again produces a good adaptation faithful in many ways, and the changes work to the book’s strengths.

Few touring companies are in the enviable position of Blackeyed Theatre. A company that makes a name for itself in one thing is doing well, but Blackeyed had done this in several areas. John Ginman’s adaptations of Dracula and Frankenstein were impressive enough, and their faithful but excellent performance of Teechers is another string to their bow, but to have topped this last year with Nick Lane’s adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde was exceptional. The only down-side? This wasn’t quite the first performance. It was the first performance on a tour of this scale, and the addition of an extra character making it look like this was how the book was written all along was superbly executed, but the credit for risk-taking goes to a couple of earlier smaller but highly-acclaimed performances. Even so, a second play written and directed by Nick Lane was a no-brainer. This time, however, it really is a full premiere – no playing it safe and letting another group perform it first to see how it goes.

And so Blackeyed Theatre are spending the best part of a year touring Sherlock Holmes: The Sign of Four – not quite a Gothic horror tale that Blackeyed have built their reputation on, but still something stylistically similar. This time, Nick Lane has written a more faithful adaptation of the book, which one might think would always be the logical choice for a murder mystery, but you might be surprised. I have seen countless stage adaptations for crime stories, from Conan Doyle to Christie, that spoiled the story by mucking around with the plot from the book. And not just dumbing down – that I could at least understand – instead, I have seen major plot points such as the identity of the killer changed for utterly inexplicable reasons. Not that you should clump in Christie and Conan Doyle; that’s the other disservice done to Sherlock Holmes stories. It’s rare for these stories to work to a climax of bringing everyone together into a room to identify the villain, and you do Sherlock no favours by trying to pander to this expectation. Continue reading

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The untold case of Dr. Jekyll and Mr. Hyde

Production shot of Jekyll and Eleanor

With two excellent faithful gothic adaptations under their belt, Nick Lane’s adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde looks like a third. But this time, there’s a big change, and it’s superbly done.

There’s been so much banging about Blackeyed Theatre lately, myself included, you’d be forgiven for thinking this is synonymous with the partnership of John Ginman and Eliot Giuralarocca, responsible for an excellent adaptation of Dracula and a superb adaptation of Frankenstein. In reality, that’s only a recent addition to Blackeyed’s catalogue. But in spite of a successful ongoing run of Teechers, it’s gothic horror where they’ve made a name for themselves. So, by accident or by design, they’ve embarked on a third tale, and after the two big classics, Robert Louis Stevenson’s famous tale of Dr. Jekyll and his alter ego Mr. Hyde seems like an obvious choice. However – good job though I’m sure they could have done –  it’s not Ginman and Giuralarocca in charge this time. Instead, it’s written and directed by Nick Lane.

Starting with the obvious difference: you don’t have the technique of dispensing with speakers and doing all sound on stage that made Dracula and Frankenstein so distinctive. Here, it’s back to the conventional sound system. Other than that, the staging is stylistically similar to before. But there is one big big big change which I suspect most of the audience were not aware of, and that is writing a completely new major character into the story. And not just a clumsily shoehorned love interest. The thing that makes this adaptation outstanding is that he makes it look like this is how the story was meant to be told all along.

Ike Award for outstanding theatre: The Strange Case of Dr. Jekyll and Mr. Hyde, Blackeyed Theatre

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