James and the giant talent

James and the creepy crawlies

Never satisfied with just another undemanding Christmas show for children, Northern Stage’s James and the Giant Peach is up there with the West End shows for its production value – and on a fraction of the budget.

So, here’s a new thing on this blog – a review of a show aimed primarily at children. I’ve previously reviewed family shows that have also been very popular to adult audiences, but now that I have a nephew and niece¬†who are old enough to go to the theatre it’s time to rediscover this. I will declare at this point, I am a certified pantomime-hater. I accept they are necessary to keep theatre solvent, but I just found them depressingly garish and formulaic, especially the big commercial ones who rely¬†primarily on big-name celebrities from soaps I never watch. If anything, the pantomimes I liked the most as a child were the ones my local amdram society put on. They were sometimes great and sometimes dire, but they were always fresh and original.

Anyway, in a pre-emptive move to ward my nephew and niece off horrible formulaic celebrity-driven pantomimes, I took them to see this year’s Christmas production at Northern Stage, James and the Giant Peach. This is not a straight stage adaptation of Roald Dahl’s classic book, but an ambitious musical adaptation from David Wood. I’m not going to give a blow-by-blow appraisal of the show, because other people are far better experts of children’s shows than me. But what I can comment on are the production values. On that front, it blows the competition from commercial pantomimes out the water. In fact, the production values are comparable with those of a touring West End production, if not better.

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