When you have a set of plays to review, it is often tempting to look for common themes between plays. In early autumn, as it happens, two plays came along with not only shared the theme of pubs, but were also very heavily themed around the number two. More by accident than by design, the two plays have a lot more in common besides. So let’s get right to it.
The Gala Theatre are continuing their in-house productions with another classic, Jim Cartwright’s famous story of a night in a working-class pub. This is a safe bet for any theatre to choose (more on this in a moment), but Two is a safe bet for a good reason. It’s lots of little stories of snippets of people’s lives, all played by the same two actors. Some are funny, some are tragic, and one or two where the bar staff really ought to intervene. But it’s a busy Saturday night, and besides, the husband and wife who run the bar have their own problems to keep them busy, and it’s not their constant bickering and put-downs throughout the evening. That is just their way of distracting themselves from something in their past they can’t ignore, however much they might want to.
All you really need for Two to be a success are two capable actors who can play all fourteen characters convincingly (although I did once see a student production who played it with fourteen different actors, somewhat missing the point of the title). Luckily, the Gala can call upon Christopher Price and Jessica Johnson, who were both naturals for this. But this isn’t quite a paint-by-numbers production. Two was originally intended as a small studio piece and it’s not a straightforward play to scale up to a bigger stage. In a fringe-scale venue it’s treated as normal that there’s no set and virtually all interaction with props are mimed, but in bigger theatres expectations are different – but a fully naturalistic production with two actors is impossible. Continue reading