On Tyneside Cinema (part 1)

This article is one I hoped I would never have to write. It was almost three years ago that the scandals surrounding Harvey Weinstein broke, but that event – and even subsequent news in closer places such as the Old Vic – felt like something happening far away. Now we face the real possibility of an abuse scandal on our doorstep. The north-east arts community is up in arms about this, and things could get uglier still. As a result, it was very tempting for me to steer clear of this subject. But I have often enough criticised arts media doing too much cheerleading for major cultural venues and not enough asking on questions, so I cannot in all conscience stay silent now. The reason this has taken so long to write is because I have had to keep fact-checking a constantly-updating story and run this past people whose advice I trust – not to mention the knowledge of how sensitive this subject is – but I am now ready to speak.

If you are based in the north-east and involved in the arts, you should know what’s happened by now. For everyone else: this all began in late June when an allegation was posted on Twitter from a woman who said she’d been raped by a member of staff at the venue – and this has escalated swiftly. Now large numbers of Tyneside Cinema staff and staff have come forward with other complaints, and it is this, combined with an arguably poor response from the management, that has prompted the BFI to take action. I am reserving final judgement on the Tyneside Cinema until I see what comes out of the various investigations, but as it stands, it doesn’t look good.

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