Last summer I recommended Yen at the Edinburgh Fringe. As director Hetty Hodgson has previously twice hired the City Theatre which I’m a trustee of, I couldn’t include this in the reviews, but I nevertheless raved about this as much as I could short of the review. All four of her productions I’ve seen (three at Durham and one at Edinburgh) have impressed me, so with her fifth and final production within Durham Student Theatre coming up, I caught up with Hetty to talk about this latest play, here experiences of Edinburgh, and more.
If we start with what’s coming up next week, tell us all about the play.
It’s a play called Beats, it was written by Kieran Hurley, and performed first in 2012 at the Edinburgh Fringe then it went on to London for a bit. So it’s a play about a boy, fifteen years old, when rave culture was banned in 1994, and it’s all about youth solidarity and the power of the youth and quite interesting and really cool because it’s a one-man show.
We’re performing it in Wiff Waff, in one of Durham’s nightclubs, so that’s a bit different, it’s a bit more immersive, it’s site-specific in some ways, and it’s got live video and visuals throughout, and also a live DJ, so I guess it’s more of a multimedia show than anything else I’ve ever done. And it’s been really interesting, both in creating work with an actor, but also a huge focus of it is the music and the video because that’s something that’s consuming throughout – that’s been really fun to work with. Continue reading