Edinburgh Fringe 2017 – as it happens

REVIEWS: Skip to: Richard Carpenter is Close to You, La Vie Dans Une Marionette, The Friday Night Effect, Victim, Love+, Cockroached, Lists for the End of the World, Replay, Was it Good for You?, The Big Bite-Size Breakfast Show, Izzy’s Manifestoes, Penthouse, Just Don’t Do It, You, Me and Everything Else, Boris and Sergey, Goblin Market, One-Man Apocalypse Now, Mimi’s Suitcase, No Miracles Here, The City, BlackCatfishMusketeer

Thursday 31st August: And that’s all folks. It’s the end of my coverage for yet another fringe, and with it all coverage of festivals for 2017. Coverage of festival fringes will resume in April 2018 when I look ahead to Brighton Fringe, or if you can’t wait for that, the Vault Festival some time between February and March.

I’m not quite done on the Fringepig fallout, because there have still been developments since I last wrote about this, but I’m getting too  bored of this to sum this all up right at this moment. But I will. Oh yes.

So attention now turns back to local theatre, especially local grass-roots theatre, which makes it very good timing for the new Alphabetti Theatre to open its doors tomorrow. And my first recommendation there is Overdue which I first saw at a scratch night last year and looked very promising. It runs on the 5th-16th September. But for the majority of my readership who aren’t based in the north-east, goodbye see you at the next festival.

Wednesday 30th August: Before we go, there’s news on the ticket sales at the Edinburgh Fringe. The headline figure is an increase of 9% from 2016. As always, the most important number to compare this to is the growth in registrations, which was up 3.9%. Ticket sale growth higher than registration growth, the conventional wisdom suggests, will help drive further growth next year, as revenue per act increases, at least in theory. Richard Stamp of Fringeguru reports that this works out as an increase from 62.8 tickets per performance to 64.4 tickets per performance (subject to some caveats for how this was calculated.)

Of course, the mean average doesn’t tell the whole story. 64.4 is more than the capacity of most fringe spaces – this figure is only possible because of some huge spaces with hundreds of seats. So where are the extra sales going? That we don’t know. It is possible that it’s a top-heavy increase where the sole beneficiaries of the increases and the biggest acts in the biggest venues – if that was the case, the 9% increase would be useless to most acts thinking of coming. Or it could be a bottom-heavy increase. Without knowing more information about sales, we don’t know. Go on Edfringe. Give us some more numbers to crunch. You know you want to.

Whatever the details, however, it’s a considerably better year from Edinburgh Fringe than that last one. In 2016, it just about became a possibility that Brighton might catch up if the trends that year continues. This year, however, it now looks like Edinburgh’s place at the top of the pile is safe indefinitely.

Tuesday 29th August: Enough waiting. Let’s get to it. I have listed everything I’ve seen. It was a list with a high standard so I’ve had to get choosy, but here it is:

Pick of the Fringe:

No Miracles Here
Mimi’s Suitcase
The Big Bite-Size Breakfast Show
Izzy’s Manifestoes
The Friday Night Effect
Richard Carpenter is Close to You
(Call Mr. Robeson)

Honourable Mention:

One-Man Apocalypse Now
Goblin Market
Boris and Sergey
You, Me and Everything Else
La Vie Dans Une Marionette
The House
Police Cops in Space
The Wedding Reception
(Mars Actually)
(The Dark Room)
(The Empress and Me)

Plays marked in brackets are plays I’ve seen in the year before the Edinburgh Fringe, including Brighton and Buxton Fringes and the Vault Festival – this is because I don’t have time to see plays again, so this means plays I’ve seen before get a fair chance against those seen at Edinburgh for the first time.

Wow, I think this is the toughest list to pick winners ever. Keep up the good work. Continue reading


Brighton Fringe 2017 – as it happens

REVIEWS: Skip to Doktor James’s Akademy of Evil, Catching the Ghost, BADD, Blink, The Ruby in the Smoke, Decide-a-Quest, Shit-faced Showtime, Blooming, Between You and Me, I Am Beast, And Then Love Walked In, Gratiano

https://i1.wp.com/static.tvtropes.org/pmwiki/pub/images/the-end-or-is-it_3544.jpgWednesday 7th June: And that’s it from this year’s Brighton Fringe coverage. I had been holding out for news of the ticket sales, but it’s getting on a bit now. If I hear news in the next few days, I might post an update.

I can. however, leave you with news of the registration figures for Edinburgh. It’s up from 3,269 last year to 3398 this year. This is 3.9% growth, although part of this offsets the slight shrinkage last year. To look at it another way, if you measure fringe size by number of registrations, Brighton is up from 27.5% the size of Edinburgh last year to 28.5% this year. Brighton closes the gap a little further, but nothing as dramatic as last year.

So now it’s time to sign off. Roundup soon, I hope. Thank you to everyone who stuck with me through this and everyone who put on plays for me. Time to get ready for Buxton now. Then the big one. Cheerio.

Tuesday 6th June: We now have a list of winners of Brighton Fringe awards, whcih I can’t actually say that much about because all the awards went to plays I haven’t seen, so I can’t really comment. However, I do at least avoid seeing a play I hated on that list. There are some small mercies.

However, there is one award that’s notable specifically because I’ve never heard of it. Best venue went to Junkyard Dogs, a venue I’d never heard of, but nonetheless had a decent line-up this year, mostly comedians. Along with Lam Comedy getting best venue last year, it does suggest that, for comedy at least, the small venues are putting up decent competition against the big ones. This is a notable contrast to the Edinburgh fringe, where everybody who’s anybody in comedy goes to one of the big four supervenues.

The only other comment I have is that there is one award whose position in this cermony I’d say is questionable. The Brighton Argus has always awarded a Argus Archangel for their top show of the fringe (with the next tier of awards being the Argus Angels), which has been all well and good so far. This year, the winner was Urinetown – no complaints about who’s won, I’ve never seen this musical but I’ve only ever heard good things about it – but how many Brighton Fringe plays did the Argus review? Two. Okay, it’s possible they reviewed more fringe shows that only went in their print edition, in which case I’ll take that back, but online at least, their reviews are vastly dominated by the Festival. Sure, local papers are generally having a tough time at the moment and perhaps fringe reviews aren’t as economical as they used to be, but two? I do hope they can do more next year, but if not, I’d ask series questions about their place in the awards ceremony.

But you don’t want to know about those silly awards, do you? You want to know what’s going to be my pick of the fringe. Well, I have decided, but before I do this, this is been an unusual year because a lot of what I saw wasn’t really theatre. Some was factual, some was entertainment, so was fun, but I decided in the end that they were too different to meaningfully compare to more conventional plays. I will still write about these in the roundup, but in their own section. Those pieces are Blooming, Shit-Faced Showtime, Decide-a-Quest, Catching the Ghost and Docktor James’s Akademy of Evil.

(Also missing are two plays which were too abysmal to review. As always, bribes accepted.)

So here they are:

Pick of the Fringe

And Then Love Walked In
I Am Beast
Between You and Me

Honourable Mention:

The Ruby in the Smoke

A reminder that these entries are listed in chronological order, so don’t read anything into what’s top or bottom. So congratulations to all those on the list. Final verdicts will be coming in the roundup, whenever that may be. Hopefully not too long. Continue reading

Edinburgh Fringe 2016 – as it happened

REVIEWS: Skip to: Bite-Size Lunch HourStack, Waves, Swansong, The Jungle Book, Le Bossu, Cosmic Fear, The Trunk, Sacre Blue, The Steampunk Tempest, ‘Tis a Pity She’s a Whore, Made in Cumbria, Boris & Sergey, Ruby and the Vinyl, Boris: World King, BEASTS, Police Cops, Adventures of a Redheaded Coffee Shop Girl, The Life and Crimes and Reverend Raccoon, Communicate, The Unknown Soldier, Bite-Size Breakfast, E15, Northanger Abbey, Unnatural Selection, Notflix, Unveiled, The Club, Overshadowed

This was my coverage of the 2016 Edinburgh Fringe as it happened, featuring snap reviews with my instant impressions of shows. For the more measured reviews written at a more leisurely pace, see my Roundup.  Here, however, you can see what I was thinking at the time. Continue reading

Brighton Fringe 2016 – as it happened

REVIEWS: Skip to: Something Rotten, The Sellotape Sisters, The Bookbinder, Gran Consiglio, 1972: The Future of Sex, Morgan and West, The Tale of Tommy O’Quire, Dancing in the Dark, Fool

This was my live coverage of my thoughts of plays at the Brighton Fringe, along with other interesting developments that broke during the festival. For the final list of reviews, sorted in working order, please read the Brighton Fringe roundup. To see the order in which it happened, read on … Continue reading

Edinburgh Fringe 2015 – as it happened

This was my live coverage of Edinburgh Fringe in 2015, featuring my thoughts as the festival went along. All the plays mentioned here are reviewed in my roundup, when I had more time to think over what I thought. But if you’d rather read what I thought of these plays at the time, read on …

Monday 3rd August, 6.45 p.m.: Welcome to my live coverage of Edinburgh Fringe 2015. This is where you will find all of my snap reviews of Edinburgh fringe plays as and when I see something I recommend. I’ll be at Edinburgh this year on the 8th-10th August and again on the 17th-19th August. Until then, here is a five-day warm-up.

I am planning to publish four articles about the Edinburgh Fringe, on various topics to be announced. But  I might write a fifth if I see something so brilliant I feel it deserves a whole article itself saying how brilliant it is. So far, only two articles have ever held this honour: Caroline Horton with Mess and Dugout Theatre with Inheritance Blues. (Sparkle and Dark would also have got one for The Girl With No Heart had I not already written about it in preview.) Could you be next? Continue reading

Brighton Fringe 2015 – as it happened

This was my live coverage of Brighton Fringe in 2015, featuring my thoughts as the festival went along. All the plays mentioned here are reviewed in my roundup, when I had more time to think over what I thought. But if you’d rather read what I thought of these plays at the time, read on …

Wednesday 20th May, 9.00 am: Welcome to my live coverage of the Brighton Fringe. This is where I will be posting updates of what I’ve seen in Brighton from tomorrow until Sunday evening. And then – you lucky lucky people – you get an extra two days of coverage from London where I’m stopping over before I head home.

Interim reviews of plays I liked will be posted here as soon as possible after I’ve seen them. As always, I will write up everything in a roundup after the fringe is over, but it you can’t wait for my verdict, here is where you’ll see it first. Continue reading

Edinburgh Fringe 2014 – as it happened

This is an archive of my live coverage of the Edinburgh Fringe 2014. All plays reviewed below have been written up in my roundup of Edinburgh Fringe 2014. However, I have retained this as an archive of what my thoughts were at the time …

Thursday 07/08, 9.15 p.m.: Hello, and welcome to my coverage of Edinburgh Fringe 2014. This is where I’ll be giving updates throughout my visit to the Edinburgh Fringe. Continue reading