COMMENT: The high-profile removal of a popular painting has backfired very badly. But this should be a wake-up call over a new emerging threat to artistic freedom.
Grief, what were they thinking? If you witnessed the unfolding public reaction to removal of a much-loved painting from a northern gallery, a thought of that nature probably crossed your mind. Manchester Art Gallery says it’s delighted that they provoked such depth and breadth of feeling amongst the public, but when the vast majority of comments outright opposed the removal – with various unflattering remarks regarding the gallery’s management – it’s clear they’re in full-on damage control. And to anyone with the slightest grasp of public opinion, it was pretty obvious what would happen, especially when your reasons for doing it smack of moralising. It was completely unavoidable, and it’s an unmitigated disaster.
Or is it? Some people suspect – given the level of idiocy required to not realise how badly this would go down – that this was their plan all along. Perhaps it was all a publicity stunt. After all, a lot more people know about this painting now than before. And it might have been, but I can think of two other possibilities as to their true motives. One possible motive is a little more concerning than a publicity stunt, and the other one is a lot more concerning. Continue reading