Hot on the heels of two excellent plays, The National Joke is a decent play – but an avoidable flaw stands in the way of a hat trick.
Perhaps I’d set my expectations too high. At the start of this year, I’d seen one good play and one so-so play from Torben Betts prior to 2016, and then I saw two great plays earlier this year: his adaptation of Get Carter for Northern Stage, and the Original Theatre Company’s tour of earlier success Invincible. It was the latter play that gave me the most hope: Invincible was a comedy that sharply observed the attitudes some middle-class socialists hold of the real working class which was funny and astute without getting preachy. Work this magic on this play, this time set at the other end of a political spectrum, and there’s be every reason to believe this should be such a success.
And for the first three quarters of the play, I kept the faith. Out goes a grotty northern street and in comes the home of a Tory MP so extravagant it makes moat cleaning and duck islands look positively frugal. Still, that’s all so last decade. How Rupert St John-Green MP really stands to grab the public’s attention is a performance that could have been scripted by Andrew Mitchell himself. Taking a break from watching a solar eclipse in his home, he wanders on to the nearby beach and ends up giving a most, shall I say, “memorable” exchange with a group of disaffected constituents. Rupert of course strongly denied calling them “proles” – he insists he used nothing stronger than “oiks” – but luckily it’s been filmed and put on YouTube so that the entire country can make up their own minds. Continue reading