COMMENT: There are valid reasons to criticise independent reviewers – but writing “entertaining” reviews at the expense of saying anything helpful is worse than anything so-called pop-up reviewers are accused of doing.
I apologise for burdening you with yet another anti-Scotsman article. I was planning to let this go after my original article on why you should think twice before letting The Scotsman review you, but then came Kate Copstick’s bizarre passive-aggressive column for Broadway Baby, seemingly unable to let go of her outburst the year before over comedians exercising their right not to give out press tickets for previews. So I wrote about that hoping it would be the last time. But now I’ve come across this article in the Edinburgh Evening News: ‘It’s these pop-up reviewers who haunt festivals such as Edinburgh Fringe that have done much to devalue the review as an art form’. Oh dear, oh dear, oh dear, this is bad. It’s not entirely clear what is meant by “pop-up” reviewers – most of the time it seems to be independent bloggers such as myself, but it’s vague and possibly extends to pop-up review sites. The only people cited as valid reviewers are – yes, that’s right – the reviewers at The Scotsman, co-incidentally the sister publication of the Edinburgh Evening News.
Even though this piece is a blanket attack on people like me, I’m going to refrain from making personal attacks back. Unlike Kate Copstick and Paul Whitelaw, who both squandered all my respect a long time ago, Liam Rudden, by all accounts, is highly thought of as both a theatre maker and an arts journalist. And yet the way this article is written, it reads like a hit piece sanctioned by the fringe editors of The Scotsman with Liam Rudden acting as a proxy. So let’s respond. Continue reading