Skip to: Build a Rocket, The Turn of the Screw, Jane Eyre, Les Miserables, And She, Hound of the Baskervilles, Lord of the Flies, Poplab, There’s Someone Coming Through, Clear White Light, Playland, Season’s Greeting / Birthdays Past, Birthdays Present, Scarborough
Damn. Only barely finished my Edinburgh Fringe coverage at it’s autmn already, which means I’d better get on with another season of recommendations. As always, this should be considered a cross-section of what’s out there rather than a definitive list – if you want to know the full rules of what goes into recommendations you can come this way.
Starting with the top tier, these four are plays where I have very strong reasons to believe – either because I’ve seen the play before or on the strength of other plays from the company – that you can’t go wrong with any of these. It will need to be something that already appeals to you – if, for example, you hate musicals, the one I’ve listed here will probably not change your mind – but if this sounds like the thing for you I’m making a firm call.
Heading the list this season is a play I saw at the Edinburgh Fringe last year, produced by the Stephen Joseph Theatre. Serena Manteghi reprises her role as Yasmin, teenager with a future ahead of her who suddenly loses it all when she ends up pregnant, especially when neither the low-life father nor her own mother are any help. In a different play that would be the end of story – indeed, this was how a minority of reviewers saw it in Edinburgh. The play got decried by some as “poverty porn” for playing to the a working-class stereotype, but that really misses the point. Far from entrenching those stereotypes, it challenges them by moving on to what happens afterwards in the next 18 years, as Yasmin slowly picks herself up and builds a new life with her son Jack.