Nabokov’s second play to come to Live, Incognito, is an extremely ambitious play covering lots of issues – but maybe a little too ambitious for its own good.
A recent addition to Live’s touring theatre line-up is Nabokov theatre. Back in February, they made their Newcastle début with Blink, which is such a wonderful play you must see it. And I don’t care that the tour’s finished – you just going to have to crack the bit of general relativity that enables you to travel back in time to earlier this year so you can catch it. Speaking of general relativity, this is what their follow-up is about. Incognito, with Joe Murphy directing again, is all about abstract concepts of physics along with the equally light subject of cognitive psychology. And just in case you think this doesn’t stretch your brain, this play covers three stories with 21 characters over a period of sixty years. Oh, and four actors play all the characters. Whatever else you might think, you can’t say Nabokov is unadventurous.
Incognito is a co-production with Live Theatre, whose year, it must be said, has been quite conservative. A lot of their 2014 productions are repeats of 2013’s greatest hits – okay, any theatre would probably do the same when the ticket sales are that good, but 2013’s successes have meant a 2014 dominated by safe bets. So it’s good that Live are involved in something more adventurous, even those this is, artistically speaking, very much a Nabokov production. One early bit of good news is that, as far as I can tell, the science is broadly accurate. That’s good news not only for Live and Nabakov, but also for everyone else in the theatre, otherwise I would be been standing up screaming “NO, YOU IDIOTS! YOU CAN’T DO THAT! DON’T YOU UNDERSTAND ANY PHYSICS AT ALL?” But, pedant-pleasing aside, how does it do?