The Paper Birds pull off a huge challenge with a play that says two different things to two different audiences. But as a vehicle for change, there’s one more thing they could do.
If there’s one thing you cannot fault The Paper Birds for, it’s ambition. Anyone who saw Mobile can vouch for this. I gone on long enough about how brilliantly this was staged – a small site-specific piece in a caravan, with talking clock radios and microwaves, moving views out the windows, astral projections as so on – but I’ve not really talked about how difficult it is to pull something like this off. There’s a lot more to this than technical know-how: you need a vision, the ability to guess if an audience will buy into this vision, and – the hardest one seeing as there’s no knowing what an audience will make of it – the audacity to attempt this in the first place. But, that achievement under their belt, where do you from there? In terms of technical ambition, I don’t see how you could top Mobile. And when you’re scaling up to a bigger audience in a co-production with Live Theatre, an intimate performance in something caravan-sized isn’t an option either. And yet their follow-up, Ask Me Anything, is just as ambitious as Mobile, but in a different way.
Apart from their innovative staging, the other thing that The Paper Birds are noted for is their verbatim theatre. This time round, they did something similar, and based the entire show around asking teenagers to write in and ask them anything. Some of them asked for factual information (answered in a song at the beginning going into the joy of tax returns), some asked for some more personal questions, and some questions were tough to answer. Whether The Paper Birds realised it or not, they set themselves a real challenge, because this is, in effect, two different plays being told at the same time. To a regular theatre audience, this is an interesting measure of how teenage life has – or hasn’t – change since we were that age. But to teenagers themselves, it’s going to be a guide as to what to expect in the years ahead – a kind of theatrical version of the personal pages of Mizz or Just Seventeen. Continue reading