Cyrano, very faithful to the original story yet made into their own, Deborah McAndrew and Conrad Nelson once again gift Northern Broadsides with a flawless adaptation of a classic play.
Is there no stopping Deborah McAndrew and Conrad Nelson? Although producing their plays under the banner of Northern Broadsides, the husband-and-wife team of writer and director are practically a company within their own right. Not that I think Northern Broadsides is complaining. McAndrew and Nelson have already gifted them hits such as Accidental Death of an Anarchist, A Government Inspector and The Grand Gesture (as well as a good collaboration with Northern Broadsides proper with An August Bank Holiday Lark). Barrie Rutter is very lucky to have got them on board.
One thing is missing from this adaptation that is common to previous McAndrews adaptation which some fans of hers may miss. Up to now, she has transplanted classic tales to modern day settings very successfully – tales of petty despotism and political opportunism are just as fitting today as they were a century ago. This time, however, she’s opted to keep the play its original setting of Paris in 1640 at the time leading up to the siege of Arras. Our nasally-enhanced hero Cyrano is still commander to cadet Christian, and he still has the unenviable task from his beautiful and beloved cousin Roxane to do the match-making between her and the new boy in town. Continue reading