What’s worth watching: Buxton Fringe 2018

SKIP TO: The Unknown Soldier, Gated Community, Behind the Agony, A Curse of Saints, Extremism, Antigone Na H’Éireann, Sea Wall / The Shape of Things, Trapped, Earthling, I let a six-year-old write my show, Disgusting songs for revolting children

All right, Sam Slide, you can stop pestering me. I’ve allowed a bit of a backlog to build up again as a result of doing two plays at once, but I haven’t forgotten Buxton Fringe. As always, my list of what I recommend seeing. As the smallest of the three fringes I cover, this is a more comprehensive list than usual – at Brighton or Edinburgh, I’ve only heard of a fraction of the acts, but in Buxton I at least recognise the names of many of the groups, even if I haven’t seen them before. But even so, the usual disclaimer applies – this list should be seen as a cross-section of what’s worth seeing, not a complete list. As always, anyone who wants to see the full rules governing what goes in can come this way.

Last year’s Buxton Fringe was a very significant one for two reasons: Underground Venues relocated from the Old Hall to the Old Clubhouse, and the brand-new Rotunda set up in the Pavillion gardens. This year, however, there’s not much change in the headline figures. Fringe-wide numbers are about the same, numbers at Underground Venues and Rotunda are slightly up. However, it’s not quite a “no change” fringe and within these static numbers there’s a fair bit of difference. Last year, the Rotunda’s programme was dominated by shows produced, or at least backed, by Grist To The Mill themselves; but this time, it’s a far more diverse programme – a result, presumably, of the Rotunda advertising for applications much further in advance. Underground Venues, meanwhile, appear to have more entry-level acts this year – again, this might be down to the early addition of the Rotunda balancing up supply and demand on the managed venues. Whatever the reason, I am now less concerned over losing Buxton as a suitable starting fringe than I was last year.

Advertisements

Roundup: Buxton Fringe 2017

REVIEWS: Skip to And the Rope Still Tugging Her Feet, Call Mr. Robeson, Bouncers, We Lost Elijah, The Empress and Me, Vincent River, Persuasion Transposed, Labels.

Ah well, better late than never. At least I can get this out before the registrations open for Buxton Fringe 2018. Apologies for everyone waiting for a review. Usual excuse applies over my ridiculously busy summer. I have learnt my lesson.

So, I’ll leap into reviews in a moment, but before that, a few thoughts on how the fringe went as a whole. This was the most unpredictable fringe for years, firstly due to the delayed but expected loss of Pauper’s Pit and the Barrel Room, and the second unexpected twisted: the arrival of the 110-seat Rotunda. In my preview of Buxton Fringe, I had a look at the changing face of the fringe, looking at who was going to which venues. The headline is that in spite of the loss of a major performing space, the fringe has grown, through a mixture of the arrival of the Rotunda, smaller non-managed venues being stretched to the limit, and the shrinkage at Underground Venues mitigated with some very tight programming. I won’t repeat the details, all that remains is a postscript of how the two major venues fared.

What’s worth watching: Buxton Fringe 2017

Aaargh. I’m on my train to the Buxton Fringe launch and I still haven’t done my Buxton recommendations. Better hurry up. Apologies if you’re waiting for a review, that will have to come after this.

Anyway, Buxton Fringe 2017 is here. The most unpredictable for a long time, due to the loss of a key venue that formed a focal point for the whole fringe. For months, there were questions over whether a new venue would take its place. And when we found out the answer, the were there were questions over what this would mean for the fringe. But the development no-one saw coming was the arrival of an entirely new managed venue. Suddenly, all bets were off.

So, before I dive into recommendations, let us begin with this and look at what this could mean for the festival.

Underground overground: what happens next?

Womble jokes: coming soon to Buxton.

So Underground Venues lives on. After much speculation (well, much speculation from me), they have moved from their extremely popular site in the basement under the Old Hall Hotel to The Old Clubhouse, a pub just up the road outside the Opera House. This was always one of the hot favourites: plenty of venues work this way in Brighton, I gather Tom and Yaz used to run events at the Old Clubhouse prior to Underground Venues, and this option was seriously explored three years earlier when it looked like 2013 would be the final year.

Applications for Underground Venues were supposed to open two days ago, and from this I was supposed to glean more information from what this might entail. However, due to some gremlins in the system the old Pauper’s Pit information was still showing and applications had to be delayed a few days. However, from this blog post we can already work out quite a bit about what’s in store, and from this ask some questions of what happens from here.

Buxton to Brighton: what I’ve learned

So, it’s been six months since my Brighton Fringe escapades. This blog isn’t the place where I promote my own work – the short version is that I got my first four-star review but I had abysmal ticket sales. Still, it appears to have helped my efforts along back in the north-east, albeit in different ways to what I expected. If you really want to read all the cherry-picked ego-inflating quotes I’m using, you can read it here. But this post isn’t about promoting my work, it’s a list of lessons I’ve learned that might have other people.

As with my first two “What I’ve learned” posts, this isn’t a comprehensive list of tips for taking part in a fringe, but rather a list of things I found in in the process of taking a show to Brighton, having previously only had experience of Buxton. Some things scaled up as expected, some things worked out differently. For anyone else trying this, your unexpected experiences will probably be different. Without further ado, here we go.

What next for Buxton Fringe and Pauper’s Pit? (2016 update)

Back in 2013, when it was announced it would be the final year that Underground Venues would operate out of Pauper’s Pit and the Barrel Room in the Old Hall Hotel, I wrote this article on what might happen next. As you may have noticed, nothing happened, and the in-joke that every year was Underground Venues’ last year ran on and on. However, the mood this year is that this time the developers really mean it and they want to convert the entire basement into a hot tub or something equally fancy. So unless everyone wants to set their plays in hot tubs, we need to look at where else they can go.

Joking aside, this is something that Buxton Fringe ought to be worried about. In recent years, applications to Underground Venues have gone up and up and up, but the numbers to Buxton Fringe overall have remained steady. So it looks like there are a lot of unsuccessful applicants who are opting for not come to Buxton at all. For one reason or another, it’s Underground Venues that everyone seems to love. It might be because of the community and spirit that’s been built up, or it could be that this is the only space with a proper lighting and sound system (apart from the intensely-contested Arts Centre). The apocalyptic scenario is that the loss of Underground Venues spells the loss of everyone who performs there. If that was to happen, this would decimate the theatre and comedy programmes at Buxton – the Buxton Fringe would still have a strong visual arts and music section to fall back on, but it would still be a huge loss.

Roundup: Buxton Fringe 2016

REVIEWS: Skip to: Skin of the Teeth, Lest We Forget, Samantha Mann, Jane and Lizzy, Jacques Brel: A life in a thousand words, The Beautiful Game, Women Who Wank, Hitting the Wall

And that’s it. Buxton Fringe is over and I can lift my embargo and reveal which shows I saw at Buxton were my favourites.  The big news, of course, wasn’t so much the show but the oncoming demise of of flagship venue Underground Venues. Redeveloping the entire Crescent building in Buxton has been talked about for many years, but little actually happened. This time, they’ve finally got round to actually starting the work, so it looks highly likely they’ll get round to changing Pauper’s Pit and the Barrel Room into a hot tub or something. I will at a later point write my thoughts on what might emerge as a replacement venue – in the meantime, you can read this article from three years ago when they first said it was their final year.

For the plays themselves … not my best year, to be honest. The plays I caught from my recommended list delivered, but the best thing that happens on a fringe is when I see a play I know little about that turn out to be outstanding. For me, whilst there was merit in the new plays I saw, there wasn’t anything I saw that really jumped out at me. There again, this was an unusual year with many plays I saw from the theatre section only debatably counting as theatre – and, as such, it was difficult for me to review this as a theatre piece.