UPDATE 18/12/07: I’m putting an update at the top of an article because I confess I missed one important detail. It doesn’t make anything I said below wrong as such, but it does change the emphasis quite a bit, and arguably answers the questions, at least the important ones. My partial excuse for missing this is that when I’m dealing with unreliable sensationalist publications, I skim though the opening paragraphs until I reach the quotes to find out exactly who said what. On this occasion, by doing that, I missed an important detail in the heading. I said that there was an claim (unverified) that cast weren’t being paid. However, the opener to the article is more specific. That says Denise Welch herself wasn’t paid.
An important difference here is that this claim is not quoted as an anonymous source: The Sun has stated it as fact. In this turns out to be a lie, it’s unlikely The Sun can weasel out by saying they were only reporting what an unnamed source said. My reading of the article is that it’s reporting as fact that Welch wasn’t paid, and an anonymous source alleges (unverified) that other people weren’t paid too. However, there is a possibility that when they say “cast were paid late or not at all”, by “cast” they mean Denise Welch only. It would be incredibly dishonest if they were misleading readers by passing off a personal pay dispute between Welch and Pantodrome as something wider, beyond the pale by any journalistic standards. There again, this is The Sun, so who knows?
However, this does give Times Square Panto a legit reason to avoid addressing allegations over pay. As it now looks that a pay dispute would be a major factor in any upcoming legal scuffles, you probably don’t want to undermine your own case by talking about the alleged disputes with the rest of the cast. It doesn’t get them off the hook on the issue of payment itself, but it does at least explain why this has been left off the public statements so far.
I’m done asking questions, I’m not going to ask any more. My advice for Times Square Panto would be as follows: in order, settle up any pay grievances with the rest of the cast ASAP, then resolve matters with Denise Welch, then come clean over what went wrong. Doesn’t have to be a comprehensive list of faults, but it’s in their interests to convince us that lessons are learnt and it won’t happen again. Because whatever the truth is about the pay allegations, it’s going to come out anyway – if not in the press or in court, it surely will on the actors’ grapevine. It won’t pay to ignore this indefinitely.
UPDATE #2 (30/12/07): Oh dear. Not looking good. According to the Evening Chronicle, the last two performances were cancelled due to a walkout over pay. And there was me starting to think I’d been too harsh on Times Square Panto.
Original article follows; please read it in context of this above …
COMMENT: We don’t know who is at fault for the fiasco surrounding Denise Welch’s departure from Times Square Panto. But staying silent over the allegations is not an acceptable response.
Panto is the last thing I’d expect to cover here. In general, I avoid them like the plague, because – with a few honorable exceptions – I find most of them to be predictable and formulaic. If anything, my favourite memories of panto are the ones I used to watch in Saltburn. They were sometimes great, sometimes abominable, but they were always different. Certainly not like the big-budget professional ones where, I have to say, once you’ve seen one, you’ve seen them all.
Another thing that’s a big turn-off for me is celebrity names. I look at all these big names on posters and usually go “Who? … Who? … Who?” Theatre outside of London is largely spared the marking based on who’s been in which soap and who’s appearing in I’m a Celebrity Strictly Come Dancing on Ice Factor, but I don’t see why a show is going to be any better just because the principals are famous for things other than theatre. At least when the leads are played by unknowns you’re giving someone a chance for their big break instead someone who’s already got theirs.
However, I accept that panto-haters like me are the minority, and I accept that pantomimes make a lot of money so that theatres can afford to run the rest of the year. And if casting soap stars and reality stars means they make even more money, so be it. As such, it’s not really my business to comment on how pantomimes should be run, and if what happened at Times Square Panto was just another celebrity strop, I would take no notice.
But this goes deeper than whether Denise Welch plays Mother Nature in Jack and the Beanstalk. This is a potentially a matter of employment rights of actors. So I’m going to stick in my oar whether I’m welcome or not. I want some answers, and at the moment we’re not getting any. Continue reading