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It’s January, it’s cold, and it’s the second month on my enforced two-month break. Last week, I did my first ever preview of what’s grabbed by attention at the Vault Festival, a list previously short enough to be a bolt-on to the end of this list. But theatre is going on in the north-east too, so let’s go through the things that caught my eye in the months leading to May.
You know the rules now, don’t you? If not, they’re here. The plays, like all plays in these recommendations, are only ever recommended if the description of the play appeal to you. But if you do, I’m confident you will like these. Some are plays I’ve seen before and loved; others are from theatre companies, writers or directors with a strong enough track record between them for me to make a firm call. So let’s get going.
The first recommendation comes from one of my main surprise discoveries of 2018: Nick Lane. Blackeyed Theatre had already made a name for themselves with two excellent gothic adaptations from writer John Ginman and director Eliot Giuralarocca – and then came a third gothic adaptation, but this was from a new name to Blackeyed fans: Nick Lane, both writer and director. Could The Strange Case of Dr. Jekyll and Mr. Hyde live up its predecessors? The answer, it turned out, was yes. This was also outstanding; the style was different to the two Ginman/Giuralarocca plays, but it was still a great adaptation and – most impressively – it introduced a new major character and made it look like that was how the story was written all along. It’s fair to point out that Blackeyed’s production wasn’t the first production of this adaptation – it had already earned a lot of praise from two previous productions – but Blackeyed Theatre was the first company to take it on a tour of this size, introducing it to the rest of the country. Continue reading