All right, I know I’m nearly two months behind on this. No need to get so smug about it. I’m learning the hard way how much paperwork piles up when you go for a two-week holiday in May, and I’m still clearing the backlog now. But I can’t delay this forever, so let’s get a move on.
New to this roundup is the Ike Awards. I will be writing about this properly when I have a bit more time; if you want to know why I created these awards and who this Ike is, you can find that in my live coverage of the fringe (along with my instant reviews of the plays). For now, the short version is that an Ike Award can be considered equivalent to a five-star rating. It’s a bit like the Brighton Fringe Argus Angels, except they’ve good as stopped reviewing the fringe this year. So, Ike has replaced the Argus Angels. So there.
The one thing you won’t be seeing in this roundup is a list of stories about the fringe as a whole like last time. Last year was a very significant year for the Brighton Fringe, mostly down to the appearance of Sweet Venues, a second supervenue to complement The Warren, and also a huge rise in registrations, partly but not entirely driven by the appearance of this new venue. This year, however, it’s been much more of a “no change” festival. There was another rise in registrations: not a huge one, but enough to suggest last year’s surge isn’t going to recede. Sweet and Warren largely stayed as they are. The only notable difference was the absence of Republic, a large Spiegeltent-style venue on the beach, which I can only suppose couldn’t compete against Spiegeltent proper. The most interesting news that surfaced during the fringe was pop-up venue “Shiny Town” being cancelled after being refused planning permission – at first, it seemed odd that a venue would commit to being in the fringe before they had the go-ahead, but apparently this ran into all sorts of red tape and I’ve drawn a blank over who was at fault. Continue reading